Friday, 24 April 2009

Champion Doug Veitch


Anyone having a casual look through my CD collection would quickly realise the influence that the late, great DJ, John Peel has had on my choice of listening. From my large reggae collection through to likes of Half Man Half Biscuit, Peely has been the inspiration. One of my favourite artistes from the Peel shows circa 1984/85 was Champion Doug Veitch. Born in Hawick in the Scottish borders the self styled King of Caledonian Swing was a favourite of Radio One's Peel and Andy Kershaw as well as the music magazine NME where he holds the record for the most succesive Records of the Week. Unfortunately for some reason it seems that Veitch's music has never been released on CD so anyone looking to buy his music has to be content with second hand vinyl from the likes of e-bay. Thanks to Fruitier_Than_Thou blog however you can hear Veitch's unique blend of reggae, cajun, dub, country and folk here on this 1985 Andy Kershaw radio session. LISTEN_HERE!!!

Dr. Alimantado

I still remember the day I bought this classic album on cd from Borders in Glasgow. I had never heard any of his music before but I kept reading bits and pieces about him in various books and magazines. Everyone from John Lydon to Sharleen Spiteri seemed to be a fan of his. When I got the cd home and played it for the first time I was amazed at how good and all so slightly mad the music sounded. The cd was played constantly for days before I even thought about listening to anything else. A few years later I got to see him live at 'The Ferry' in Glasgow as part of the Triptych festival and to be honest, it was the worst gig I've ever attended but don't let that put you off hearing this album.
Hear_it_here!!! thanks to http://regalameestanoche.blogspot.com
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Wikipedia
MySpace

Crass

The above picture was taken from my first ever gig (apart from a few local bands. The date was July 3rd 1981, The venue was the Trinity Church in Irvine, Ayrshire and the band was anarcho-punk collective Crass supported by Poison Girls and Annie Anxiety. The gig was organised by the local branch of CND and tickets cost a whopping £1. At the time I still had one month to go until I became a teenager but was already heavily into Crass the band as well as the label. I remember very little about the gig except for small incidental bits and pieces. One day at school rumours were going about that Crass were playing a gig in Irvine. The first initial feeling of cynicism soon gave way to excitement when I finally realised it was true. The excitement soon turned to anxiety as I wondered whether my parents would think me old enough to attend such an event. They obviously knew that I had been into the punk scene for a couple of years, even at such an early age, but playing records in my bedroom was one thing, actually attending a gig full of older people with such a bad reputation thanks to the tabloid press was quite another. I needn't have worried. Over dinner that night I mentioned it to my mother who only asked one question, 'how much will it cost?'. Straight away she handed me the one pound saying I better be quick as it will sell out with it being that cheap. On the actuak night of the gig my friend and I headed into town quite early to find large groups of people hanging around the town centre, drinking and being loud but generally well behaved. I always remember that most of the punks hanging around were wearing Exploited t-shirts which was a bit strange as their was a definite divide between the Exploited kind of punk and Crass (Crass sang 'Punk Is Dead', the Exploited sang 'Punk's Not Dead'). I must have looked really out of place. For some reason I remember wearing a blue cord jacket that night and even though I would have had a few badges on the lapel there was no other indication that I was going to the same place as those older guys wearing leather jackets, bondage trousers, studs and mohicans. Looking back I was probably closer to the true meaning of punk with my (unintentional) individual look than all the clones but it didn't feel that way at the time. When the doors of the venue opened, which was a bit strange considering Crass's anti-religious views) we were among the first people in, heading straight to the front of the stage. There was plenty of space at this time but having had no experience of gigs this size I didn't realise that the place would soon be jam packed. First on stage was Annie_Anxiety an American poet/singer/painter/actor who really didn't go down well at all with the meat heads in the crowd looking for a 3 chord thrash to pogo thuggishly to. It was hard not to feel sorry for her as she was booed and abused relentlessly and even more disgracefully, continually spat on by a section of the audience. At times she looked close to tears but full credit to her for gamely finishing her set and not giving in to those disgusting neantherals. Next up came Poison_Girls. Again the female singer was subjected to abuse and spitting but Vi Subversa (singer) was a different proposition. A lot older than most of the audience and in no mood to be intimidated by those yobs she stopped the band halfway through a song and growled ' we will not continue to be spat on'. Sensing that the gig may be abandoned the abuse halted apart from one or two of the thickest in the crowd. The band finished their set without any further incident. While waiting for Crass to appear my gig going naivity really became apparent. Me and my friend were right at the front, leaning on the stage when we noticed someone trying to push their way in. Even at our young age we weren't for giving up the space where we had stood since the doors opened. Eventually the guy, a few years older than us realised he was getting nowhere and tried a different plan of attack. Tapping us on the shoulder 'excuse me but I'm with the band and I've got to get on stage for a few songs. Any chance I could get in there?' My friend and I looked at each other and at the same time replied ' yes, no problem'. Needless to say Mr Crassman watched the rest of the gig from the place where we should have been standing, getting no closer to the band than we had been . Still to this day I remember that lesson and have never given up my space at a gig since. I don't really remember much about Crass's performance. Right at the start of their first song a large brawl broke out just behind us. Almost as if it was pre arranged to begin at the first chord. There was a report in the following week's local paper about the fighting and I thought when my parents read it I would be banned from any further gigs. It was never mentioned. So that was my first ever gig experience. I never got to see any of those bands again but they do still hold fond memories for me.
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LISTEN
Crass - Punk Is Dead listen
Crass - Big man Big MAN listen
Crass - It's The Greatest Working Class Rip Off listen
Poison Girls - Old Tart listen
Poison Girls - State Control listen
Poison Girls - Persons Unknown listen
Annie Anxiety - Cyanide Tears listen
Annie Anxiety - Hello Horror listen
Annie Anxiety - Burnt Offerings listen
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BUY
Crass - Southern_Records - Amazon
Poison Girls - Amazon
Annie Anxiety - Amazon

Hillsborough 1989.

PLEASE NOTE : This post originally appeared on my Yahoo blog on the 15th April 2009.

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April 15th 1989 is the day that fans of Liverpool Football Club will never forget. It wasn't the day they won yet another trophy to add to the dozens already secured in the club's great history. No, this was the day when thousands of those fans made the journey to Sheffield to watch their heroes in an F.A. Cup semi-final aginst rivals Nottingham Forest. 96 of those fans would never return home to their loved ones and many more would live with the nightmare for the rest of their lifes. There are many theories into what caused the fatal crush, many fingers have been pointed. I will leave that for the people who were there, who know the truth, who hopefully one day will see justice for those poor supporters who perished and the loved ones they left behind. I remember reading afterwards that the late Radio One DJ, a lifelong Liverpool fan, begun his first show following the tragedy with Aretha Franklin's gospel version of 'You'll Never Walk Alone' a song which the Liverpool fans have made their own. Here for the 96 fans no longer with us is that song. Rest In Peace.

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Aretha_Franklin_-_You'll_Never_Walk_Alone



Feed Your Head


The December 2002 issue of Mojo magazine was a real beauty. Not for the Bob Dylan cover or interviews/features with Happy Mondays, The Libertines or The Rolling Stones. No, what made it for me was the feature entitled 'The 100 Greatest Drug Songs EVER!!!'. I remember trying in vain to compile an mp3 disc for my Walkman of those 100 songs but many were impossible to find. I still have the magazine somewhere (probably in the attic) and will dig it out sometime for another attempt at completing the list. The free cover mounted CD given away with that issue was called 'Feed Your Head', 16 songs referencing drugs of one form or another. I have selected 4 random tracks from the collection for your ears. I don't know if the magazine is still avaliable to buy, the website only gives a phone number for back issues. Failing that E-Bay is the best bet but it really is worth tracking down. Meanwhile listen below.
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The_Sonics_-_Strychnine
Dillinger_-_Cocaine_In_My_Brain
The_Dramatics_-_The_Devil_Is_Dope
Harry_The_Hipster_Gibson_-_Who_Put_The_Benzedrine_In_Mrs_Murphy's_Ovaltine?
Please support the artistes by purchasing their cds etc. Anyone having difficulty tracking down the cd given free with this issue of Mojo please contact me and I'll try to put the other tracks on here.

A Tribute to Kylie.

Power, Corruption + Lies presents a tribute to the tiny pop princess Kylie_Minogue.
Tracklisting :
01 Teenage_Fanclub - Kylie's Got a Crush on Us
02 Nick_Cave_+_The_Bad_Seeds with Kylie Minogue - Where The Wild Roses Grow
03 The_KLF - Kylie Said To Jason
04 Kylie - Slow (Chemical_Brothers mix)
05 Kylie - Can't Get Blue Monday Out Of My Head (New_Order)
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DOWNLOAD HERE : Kylie_Tribute
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If you enjoy any of the above songs please buy the originals. Thanks!!!

Malcolm Middleton

If I was asked to describe Arab Strap the first thing I would mention would be Aidan Moffat's broad, distinct Scottish accent. Because of that it sometimes seemed that Malcolm Middleton was a lesser part of the band. To be honest it was only really when the band split that I started to realise that Middleton was at the very least an equal part in what made the band great. Don't get me wrong, Arab Strap wouldn't be Arab Strap without Moffat but his musical partner was every bit as important to the band's unique sound. While reading some blogs at the weekend I was directed to Middleton's own website (link below) and was delighted to find some fantastic mp3 downloads on there. I recommend anyone, whether a fan or a newcomer to his music to have a listen as Malcolm does his on take on songs by Girls Aloud, Ladyhawke and The Saturdays as well as some rare and unreleased versions of his own songs.
Get the songs (and some videos) here : Malcolm_Middleton
Buy his albums here : http://www.resonancemusicstore.com/malcolmmiddleton/index.html
The track below was Middleton's contribution to the 2007 album 'Ballads of the Book', a project which saw Scottish musicians link up with Scottish writers and poets. The lyrics to Middleton's track were written by author Alan Bissett.
Malcolm_Middleton_&_Alan_Bissett_-_The_Rebel_On_His_Own_Tonight
Buy 'Ballads of the Book' here for only £7
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LINKS +++
Malcolm Middleton official_website +++ wikipedia
Arab Strap wikipedia
Alan Bissett official_website +++ wikipedia
Ballads of the Book official_website +++ wikipedia
Chemikal Underground Records : official_website +++ wikipedia